Edited by Audacia Ray

Alix Lakehurst: Real Porn from Chicago [Interview]

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Chicago-based adult model and writer Alix Lakehurst blogs and hocs her wares on her website We Could Be Naked. She's an interesting and honest voice in the adult industry - well worth reading, and not just because she shows off her boobs a lot.

Naked City editor Audacia Ray asked Alix about entering the porn biz in her 30s, being curvy, working in Chicago, and being an exhibitionist.

Audacia Ray: You came into modeling and the porn business later in life than the average porn girl – what drew you to the business? When you were in your early twenties, did you think you'd be doing porn in your thirties?

Alix Lakehurst: I spent my 20's drinking, smoking pot and doing coke. This sounds bad. I grew up in a very stable family, my parents loved me but I was always rebellious. The addiction came way before my foray into porn. I didn't start porn because I was raped, beaten, or abandoned. In fact my main decision to start getting naked was when I was completely sober.

Around 30 I met Mike McPadden- the one and only Selwyn Harris- who edits Mr Skin here in Chicago. He loved the way I talked very dirty. I was uninhibited, loved running around naked and getting my picture taken. I started writing for him.

I landed a coveted interview with Christy Canyon and couldn't believe how beautiful and centered she was. I met my porn idol, and I felt a kinship with her immediately.
Growing up with big boobs, I wasn't fond of them. But she made them sexy and real. I blogged my journey to that interview on Road to Christy Canyon and occasionally showed the comparison of our breasts. My popularity grew and I started We Could Be Naked. The modeling and porn offers followed. I don't work every day in fact I'm lucky if I get a paid job a month but I have no problem having a staple on my belly button. I mostly work on my site and what I want to accomplish with it.

To answer your question, in my twenties, I thought I'd be dead by my thirties.

Three more questions and their answers, plus more pictures, after the jump.

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Thinking about Panties: Belgian Lingerie Designer Murielle Scherre [Interview, Fashion]

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Murielle Scherre designs lingerie that is both super-sexy and highly wearable for her small company La Fille D'O in her home/shop in Ghent, Belgium. We met at the Pinched festival in Amsterdam in June and got to talking, so I thought a follow up interview would be lovely.

Naked City editor Audacia Ray had questions for Murielle about her creative process, the lingerie business in Europe, and her special approach to shooting photos of models wearing her designs.

Audacia Ray: What inspired you to start your business and what inspires the designs you make?
Murielle Scherre: Simple things inspired me to start, but I find it’s the more complex things that keep me going. The start was mainly about being intrigued by the human body, so in the academy I was working with sports-influenced shapes and performance fabrics and seams that are body dynamic. But I found something missing: the excitement, the fire. I didn’t want to do just functional stuff. I wanted fun and games. And if you add those to performance and close to the body wear, you soon get to the field of lingerie. Or at least that is what I thought. I quickly found out that was not the other brands’ motivation since they mainly surf on the commercial wave. Humor, sex and adoration for the human body is hard to find in most other brands so I decided I could do better.

filleshop.jpg When I design lingerie or when I need to decide on a project or a look for a show or whatever, if it’s linked to my brand I will think of something I would like to see happening in other brands. I try to think as a consumer, I think of the demand. I don’t want to be the stuck up designer bitch who saw the light and is so nice to share her wisdom of what we plebeians want. I don’t want that and I don’t need it. If I see a brand I need to feel that the people behind it have it in their blood. I want to be seriously crazy about it. In love with every single one of their products, willing to lose and arm for it. I want the product to be clever but also naïve in a way. I want the designs to become a second skin that draws the eye of the beholder to where I want it. And the next time I hold that piece, I want it to give me a flash back of every single memory it holds, of each adventure it had. I want that adventure slightly showing by my blushing cheeks. That’s how I do my designs – ior at least I try to.

Three more questions and their answers -and more pictures- after the jump.

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Sex After Sixty: An Interview with Joan Price

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Joan Price is a fitness instructor who firmly believes that people of all ages can enjoy being physically active - and in recent years she's incorporated writing about sexuality into this philosophy. Her book Better Than I Ever Expected: Straight Talk About Sex After Sixty confronts issues of ageism and the challenges people face in their relationships and sexuality after they've passed the age of sixty. She also has a blog of the same name, and is working on a new book for both men and women that is more solution-oriented.

Naked City editor Audacia Ray had some questions for Joan about her concept of "sex" and how that's changed, as well as her thoughts on the rise in sexually transmitted infections in people in later adulthood.

Audacia Ray: As a fitness professional, how do you see the place of sexuality in a healthy lifestyle?
Joan Price: Sex and exercise are a great match for a healthy lifestyle. Like exercise, a lively sex life increases vigor and energy, improves circulation (giving you that rosy glow as well as the long-term benefits), lifts mood, and enhances self-image and feelings of well-being.

Three more questions and their answers after the jump.

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Susan Wright: Author and Activist

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Susan Wright writes science fiction novels and nonfiction books on art and popular culture, some of which have a heady dose of sex. Susan is currently the Spokesperson for the National Coalition for Sexual Freedom, a national organization committed to protecting freedom of sexual expression among consenting adults.

Naked City editor Audacia Ray had some questions for her about writing sexy stories, activism and live performance. Susan is reading at the In the Flesh erotic reading series at Happy Ending, 302 Broome Street, this Thursday July 17th at 8 pm.

Audacia RayWhat is the relationship between being an author of sexy fiction and being involved with the National Coalition for Sexual Freedom?
Susan Wright: I write about what I know - which is BDSM and sexual freedom. These things permeate my stories and characters. Also, since I'm an activist, I like to put my main characters in situations in which they must act for what they think is right. I confront them with hard situations, like I face every day, in which they have to stand up for themselves against conformist or mainstream opposition. I think that makes for a great story.

Three more questions and their answers after the jump.

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Nude American Scott Cook: Guiding You on a Naked Adventure in Oregon

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Pokin' Round the Gorge: A Sexy-Romantic Guide for Gorge Lovers is a guide book for the nude adventurer about the Columbia River Gorge, which extends through Oregon and Washington. Though the title is punnerific and a lot of the writing is firmly tongue in cheek, its a fun take on a guide book, and even if you are a city slicker who shudders at the thought of hiking in the wilderness, its a fun read. Plus there are lots of naked pictures.

Naked City editor Audacia Ray had some questions for the book's enigmatic writer, Scott Cook, who was happy to oblige (and who is grinning at you in the picture above).

IMG_8853.jpgAudacia Ray: Do you consider yourself a nudist or a naturist? Is there something about the Gorge that inspires you to take it all off, or are you an across-the-board appreciator of nudity?
Scott Cook: I feel that I'm more of a naturist than a "nudist." I don't really go to nudist resorts--the whole group-nudity thing doesn't much interest me. BUT, I love being naked in nature, whether alone or with company. I love to bask naked in the sun and breeze, skinnydip in lakes, river and waterfalls...get naked in hot springs. Being naked in nature in secluded and natural places seems very natural to me. And, while the Gorge is a sort of unspoiled Garden of Eden...I do tend to get naked whenever and wherever secluded beautiful Mother Nature beckons. Thus, lots of naked time in Mexico and New Zealand (I'm working on a New Zealand Exploring/hiking guidebook).

AR: Your book has an almost ridiculous number of pictures that must have been a lot of fun to take. Can you relate a funny story about doing the photographs?
SC: On page 126 I tell some little stories...but here's something funny: On Stonehenge, page 123, the idea was a red naked priestess lording over a blue laying-down love slave. During the test photos the model and I had to take turns posing and lighting each other--all naked and all within a 15-second shutter window before the flash fired. one%5B1%5D.jpgSo she'd pose and I'd light her with red for 4 seconds, then she'd jump down, I'd jump up, lay down and she'd light me with blue for 3 seconds---then I'd quickly jump off before the flash went. Alas though, trying to speed up our gig, on our second attempt I was just jumping off the alter stone when the flash went and blinded me and i jumped off and SLAMMED right into one of the Stonehenge monoliths!! OUCH, I wailed my hand, thumb and nose right into the rock-- I couldn't see it at all because I had been blinded. The picture above is the photo that the flash captured before I slammed!

Two more questions and their answers after the jump!

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Esther Perel: The Languages of Love are Not What You Think

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Esther Perel is a licensed marriage and family therapist who practices in New York and uses her fluency in eight languages to work with multilingual clients. She's the author of Mating in Captivity: Unlocking Erotic Intelligence and her primary focus is on couples - not just te ones tht are in trouble, but ones who want to strength their relationship and erotic bond.

Naked City editor Audacia Ray had a few questions for Esther about her theories on therapy and the challenges of developing and maintaining intimacy and eroticism in a long term relationship.

Audacia Ray: One of the main tenets of your work is the idea that good intimacy doesn't necessarily create good sex in a long term relationship. What are some basic things you recommend to couples who find themselves in this situation?
Esther Perel: The conundrum between intimacy and sexuality is that love seeks closeness, it seeks to minimize the threats, neutralize the unknown, maximize the feeling of security. While for some these ingredients fuel their desire, for others desire is much more in need of the unpredictable, the unknown, the mysterious. So what nurtures love isn't necessarily what fuels desire.

Second, some people confuse intimacy with merging. So they forget that fire needs air, and the lack of space and separateness between the partner douses the fires.

Third, for some people the very qualities that nurture love, the reciprocity, mutuality, care and responsibility for the well being of the partner, can result in a burden that makes it harder to experience the selfishness, the unselfconsciousness, and the freedom necessary for desire.

Three more questions and their answers after the jump.

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Mona Rae Mason & The Transgender Project

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There's a lot of really excellent and inspiring activism and research happening with regards to transgender and transsexual populations. Here in New York, the National Development and Research Institutes has a transgender project that, according to its mission statement, "is designed to describe the economic, social and personal, family and workplace experiences of male to female trans-persons, how these experiences change over the course of our lives, and the impact of these experiences on our mental and physical health."

Naked City contributor Charlie Vazquez had some questions for NDRI's Mona Rae Mason about identity, being in the closet, and challenges that trans folks face.

Charlie Vazquez: So Mona, what is it that you do as an organizer and activist?
Mona Rae Mason: I work for National Development and Research Institutes and I’m the Field Coordinator for ‘The Transgender Project’, a longitudinal study of metro New York City’s male-to-female transgender population. This study is funded by The National Institutes of Health and is the first and largest of its kind for this community—almost six-hundred volunteer participants from all walks of life. I also serve on the Board of Directors of Transgender Legal Defense and Education Fund, Inc. I’m very concerned with the homeless and hungry in our LGBT community—I’ve seen far too many young sisters who’ve come to me for their interview, with precious few clothes on their backs in bitter winter, to collect the meager $30.00 stipend we pay for interviews. As a result, I’ve organized and promoted several clothing and food drives and I also organize and promote NYC’s longest-running and free “transgender and friends” weekly get-together, currently at Nowhere Bar, on Thursday evenings.

Three more questions and their answers after the jump

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Marije Janssen: Feeling Pinched Between Progressive Sexuality and Reality in the Netherlands

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Saturday, June 21st marks the finale of the Pinched event series in Amsterdam. Billed as a festival exploring "sex, love, and countercultures," the events have brought together European pornographers, artists, cultural theorists, and fun loving sex and culture nerds at talks, screenings, and late night dance parties.

Held at one of Amsterdam's premiere indie music and performance venues, Paradiso, the Pinched events of this Saturday include a talk by Naked City editor Audacia Ray called Making Sex Media for a Radical Future, panel discussions, and a performance by Annie Sprinkle and Eliabeth Stephens.

Audacia Ray had some questions for Marije Janssen, the main organizer of the event, about the perceived progressiveness of Amsterdam, as well as the meld of commerce, culture, and porn that is a hot topic at the event.

Audacia Ray: What is the main inspiration for organizing the series of programming that is Pinched?
Marije Janssen: One of the main reasons for doing a project like Pinched is feeding the political and social discussion about sexuality (and porn) in the Netherlands. The funny thing with this country is that we have a reputation of being open-minded. Although this is true on the one hand, thinking of gay rights, the freedom of being who you want to be. But this open mind has not been ‘updated’ for a long time, even more so, currently you can see a development that’s going backwards. Something that’s underlined by the current conservative political climate and the rise of a feminist discussion that in some cases resembles the 70s in their thinking about porn and sex.

The development of the queer movement, alternatives in pornography, sex positive feminism, art, etc. are all things distant from Dutch discourse and experience. When I look at festival outside of the Netherlands, like the porn film festival in Berlin where it’s much more mixed I see that there are indeed possibilities to get people together and this inspired me to shake things up in the Netherlands as well. The people from Paradiso were very enthusiastic in realizing the Pinched events.

Three more questions and their answers after the jump.

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Joe E. Jeffreys: Drag Historian

This Thursday at 6pm, the New York Public Library for the Performing Arts (Bruno Walter Auditorium, 111 Amsterdam Avenue at 65th Street) is hosting a video-illustrated talk about the history of drag. The talk features Joe E. Jeffreys, a theatre historian with several decades devoted to the study of drag - he's painstakingly collected videos to illustrate his talk and give shape to a very colorful history, one that's best told with pictures (and animated ones at that).

The presentation, Drag Show Video Vérité, gathers and screens rare film and video that documents the faces and places of New York City’s vibrant drag scene. This year’s edition offers more colorful and never before publicly screened footage from the 1950s to the present and offers a who’s who of NYC’s male and female impersonators. The video about is a preview of what will be shown on Thursday evening.

Naked City editor Audacia Ray had some questions for Joe about how he came to his field of study and where he gets all his material.

Audacia Ray: What does being a drag historian entail, and how did you become a historian of drag?
Joe Jeffreys: My becoming a drag historian began the first time I ever walked into a gay bar. It was in Durham, NC, in the early 1980s at a bar called Forty Second Street. It was overwhelming enough being in a gay bar the first time as a teenager but then there was also a drag show going on when I entered. A high school theatre fanatic, I was immediately transfixed with this new (to me then) performance form and its double illusion. I have remained so ever since. In fact, I consider drag to be the indigenous gay performance form.

I teach theatre history, dramatic literature, and gay and lesbian performance studies courses and lay claim to male and female impersonation as my area of expertise. As a drag historian it is my calling to research, document, analyze, collect, preserve and present the art form and its traditions like say a dance historian concerns themselves with that performance form. I have published on drag topics in encyclopedias, academic journals, book anthologies, and the popular press.

I focus my work on the tradition in New York City as there has always been a vibrant drag scene here and this is where I live and can be on the ground for fieldwork and primary research. I like presenting my findings in public forums and offering multi-media talks on drag subjects like one I put together last year on the history of the 82 Club. The 82 was a nightclub on East 4th St in the Village that offered lavish drag shows to primarily straight audiences for over twenty years beginning in the early 1950s. I debuted this talk in the old 82 Club space itself and have presented it elsewhere since.

Three more questions and their answers after the jump.

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Anna Brownfield: Hungry for New Wave Erotica

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Director Anna Brownfield and Brianna Heart being silly on set

Australian filmmaker Anna Brownfield has journeyed into the realm of erotic films and has found her home there. She's won some awards, she identifies as a feminist, and she's striving to make ethical, sex positive, fun and sexy smut. Her company, Hungry Films, has three fetures in various stages of completion, and she's got a lot of energy for making something different and interesting.

Naked City editor Audacia Ray asked her all about making smut down under and the theory behind her porn-making practice.

Audacia Ray: Can you tell me a little about yourself? How did you get interested in making erotic films?
Anna Brownfield: I've been making films for over 10 years. Thematically, I have been exploring the representation of women and sex in cinema; in particular, I am interested in the female gaze and the objectification of men.

Moving into erotica has been a natural progression. As the majority of product is from a male perspective, I see the potential to tap into a growing market of making non-formulaic erotica that is designed to stimulate and arouse women from a truly female perspective.

Three more questions and their answers (plus more pictures!) after the jump.

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