Edited by Audacia Ray

A Walk on the Wild Side: Finding Street Workers in Manhattan [Gotham After Dark]

walkers1.jpg

On Tuesdays, Charlie Vazquez writes Gotham After Dark, a peek into what goes on in Manhattan's queer nightlife, with club and event reports and profiles of fascinating New Yorkers.

Manhattan has been the stage for bold prostitution since its earliest days—the word ‘hooker’ even originated here in Gotham, making reference to the nightshift sisters who once lurked in a long-gone, sleazy East Side neighborhood known as Corlear’s Hook. I’m a native New Yorker and clearly remember when a prostitute in a leopard-skin panties-and-bra-combo stopped me on a freezing winter night in the mid-1980s, on Park Avenue South. She asked me what I was up to. I smiled and kept walking—I was fourteen.

Fast-forward to the War on Sleaze in 1990s Manhattan— 42nd St is razed and rebuilt and the war on street workers is in full swing, with prostitution-related arrests skyrocketing (there were 6,535 in 1999 alone). Sex services shift to cyberspace and a new sex industry rolls forward. Yet prostitution is a complex phenomenon influenced by socioeconomics and race—among other things. This was not the end of the imperiled Gotham street worker. Plagued with drug addiction, unstable housing and harassed violently and sexually by both johns and the police, these gals continue to patrol, although less conspicuously (or not) than imagined. Ninth Avenue between 34th and 42nd Streets was an alleged “hot” spot—by the Port Authority and Lincoln Tunnel entrance, where sleazy Manhattan still breathes.

Dusk. Within an hour of wandering around, I snapped these two ladies working very different styles—and yes, I know the difference between a scantily-dressed woman and a prostitute, I grew up in the Bronx. The lady on the left was working the onramp to the Lincoln Tunnel and was fashionably dressed, chain-smoking and talking on her cell phone. She ignored a couple of morons that honked their horns at her and was waiting for the real thing—brave. The gal on the right was working a corner further up 9th Avenue and used her cell phone as a mask as well, but turned around every minute or so to wade through the traffic jam on 9th Avenue. A minute later, she was on the sidewalk again (I watched her do this four times). Constantly dodging police harassment, the street workers of Gotham just try to blend in a little more than they used to.

Charlie Vazquez is a Brooklyn-based writer, part-time fetish clown and the assistant to Diamanda Galás--but really, he's nice.

Share the naked love

Last of the Legends: Getting a Friendly Door to the Face at a Legendary Downtown Smut Joint

BT1.jpg

On Tuesdays, Charlie Vazquez writes Gotham After Dark, a peek into what goes on in Manhattan's queer nightlife, with club and event reports and profiles of fascinating New Yorkers.

I packed my camera, notepad and pen. Its urban myth was ripe with sleazy stories. I had to go: Hollywood actors playing pianos with their dicks, vicious 1980s drag queens, 1970s glam rock concerts, art films and pornography—um, what’s not to love? Add to that an illustrious and conflicted history of flooding, relocations and goddess-knows-what-else. A pariah among the rest—my kind of joint. Rumor also told me that you could take art classes there at certain times—nude model drawing. A life raft afloat after the Great Flood of Morality that continually tries to drown gay sex culture. What’s not to love? To imagine that there existed a manifestation of all of that fascinated me.

Feeling like a teenager, my adrenaline pumped as I opened the heavy black door, which slammed behind me like a guillotine. I descended a staircase framed with posters of Hollywood movies I was sure were not playing. There was a familiar vibe in the air—quite honestly I hadn’t been to such a place in years. These are the places where movies are playing and no one’s really watching them—they’re watching you or the guy next to you. You’re looking at someone who’s looking at someone else and one of two things happens: You have an anonymous sexual encounter (which can be hot or not) or leave feeling like the biggest retard on Earth.

I chose to respect the fellow queer Latino man behind the bulletproof-looking glass that looked terrified when I told him why I was there. He said I had to speak to a manager who wasn’t there, whose name and phone number he didn’t know. I did the right thing—I granted him his wishes to not “rock the boat”. I won’t tell, even though I was looking forward to it! I was furious about the pre-Stonewall paranoia—not at him, but the root of it all. Especially in this privileged, hypocritical age we live in, where Hollywood stars boast about getting blow jobs in upscale restaurant restrooms with no repercussions. I swear that when I introduced myself and asked if someone could walk me around and answer some basic questions, you would’ve thought I had a swastika armband on and was asking for the whereabouts of Anne Frank. Sad, but true.

Charlie Vazquez is a Brooklyn-based writer, part-time fetish clown and the assistant to Diamanda Galás--but really, he's nice.

Share the naked love

Out on the Limbs: Getting Freaky with Amber Martin

amby.jpg

On Tuesdays, Charlie Vazquez writes Gotham After Dark, a peek into what goes on in Manhattan's queer nightlife, with club and event reports and profiles of fascinating New Yorkers.

Last winter my boyfriend and I went to see Amber Martin perform at the now-deceased Rapture Café and were quickly embroiled in the comic dementia and brazen sexuality of her dozens of freaky characters. After making us laugh non-stop for nearly two hours, the pretty, curly-haired Ms. Martin ran out of the café wearing nothing but cowboy boots, tape on her nips and a fuzzy “thing” covering her womanhood. Everyone looked at each other thinking the same thing—did she really just run out onto Avenue A nearly naked?

Ms. Martin (a self-declared “Scorpio girl-child”) claims that her performance history began when she learned how to orgasm as a little girl, in the bathtub, by letting water fall from the faucet onto her clit. But a move many years later to Portland, Oregon (from her native Texas) served as the launch-pad that inspired her to create a pantheon of wacky alter-egos that are impossible to forget. As a means to showcase her magnificent voice, she began inventing these characters to cover music from her massive vinyl collection. After dabbling in multimedia with friends, she helped to found House of Cunt Performance Group in Portland, who performed two-hour shows with no intermission—instantly becoming the performance pariahs of the Portland underground.

A move to New York has thrown her into a larger and more complex performance landscape—but this girl, in addition to having performed with Justin Bond and Lady Rizo, is also a Drammy Award-winner and DJ (you can catch her after 8PM, every Monday at Lucky Strike, Grand St, Soho). With a busy month ahead, there are a few opportunities to catch Amber in dirty action. Her characters come to life at the next Queer Fetish, on Sunday, August 24th (www.queerfetishnyc.com) and you can also see her read filth at Mr. Black on August 8th. She also DJs at Mattachine—a clandestine, well-attended queer night of music held at the legendary Julius bar in the West Village—if you’re lucky to hear about it.

Charlie Vazquez is a Brooklyn-based writer, part-time fetish clown and the assistant to Diamanda Galás--but really, he's nice.

Share the naked love

Nibble on This: Soaping up with the New York boys of Leather [Gotham After Dark]

NYboL.jpg

On Tuesdays, Charlie Vazquez writes Gotham After Dark, a peek into what goes on in Manhattan's queer nightlife, with club and event reports and profiles of fascinating New Yorkers.

The New York boys of Leather or NYboL (pronounced "nibble") convened at the 9th Avenue Saloon recently for their monthly fetish party—leather, boots and denim galore! Modeled after previous boy groups in Washington DC and Los Angeles, NYboL was founded in 2005 and operates as a social and fundraising entity of both full-time and supportive members. (Their next party will be held at the 9th Avenue Saloon on August 16th.)

I was able to chat up Dave Hughes, one of the five founding members, about what it is these guys do and how they do it. I was pleased to learn that NYboL defines boyhood broadly, and that male-identified dykes and female-to-male trans-folk make up some of the numbers in its ranks. Once launched, NYboL went on to raise and donate over $10,000 to charities such as the Ali Forney Center for queer homeless youth here in NYC and the Leather Archives & Museum in Chicago. These dedicated guys even help to organize NYC's annual Leather Pride Night and Folsom Street East.

Emphasizing service as product, these naughty lads hold their largest event, their yearly Car Wash fundraiser, in front of the Eagle NYC—(this year's fête happens on Sunday, September 7th, 2PM, so mark your calendar now). Their motto is "We'll wash what moves you," including cars, bikes, and bodies. This year's Car Wash beneficiary will be Team Eagle—a group of cyclists who raise money for AIDS research via the New York LGBT Center-sponsored Braking the Cycle ride, which begins in Gettysburg PA and ends right here in New York City. So put on some sleazy shorts and help them lather up!

Charlie Vazquez is a Brooklyn-based writer, part-time fetish clown and the assistant to Diamanda Galás--but really, he's nice.

Share the naked love

In the Back Room with Rob Clarke: Running into an Erotic Art Icon

3757.jpg

On Tuesdays, Charlie Vazquez writes Gotham After Dark, a peek into what goes on in Manhattan's queer nightlife, with club and event reports and profiles of fascinating New Yorkers.

I had the fortune of running into erotic artist extraordinaire Rob Clarke last week, whilst preparing to watch the usual Thursday night tranny fashion extravaganza at my East Village watering hole, Nowhere. It was some years ago—when I lived in Portland, Oregon—that a friend turned me on to Mr. Clarke’s (at times playful, disturbing and hot) renderings of fetish-centric men doing the things they love to do to each other: penetrating, dominating, teasing and other things for the curious fetish connoisseur.

Moving away from the pumping jukebox, we made our way to the back room, where I could hear the soft-spoken Clarke tell me about his newest projects. We also discussed the relationship between art and the ever-evolving underground world of queer sex—queer male sex, specifically. Savoring a Manhattan and sitting on the floor, the quiet and thoughtful Clarke was sincere and clear—the yin to his work’s yang.

clarkeclown.jpg We discussed his new “Fratyr” (fratboy/satyr pictued above) and the recurring power of mythological creatures in erotic art and literature throughout the ages. Clarke’s own arsenal includes the aforementioned satyr and a multi-armed dancing Indian Shiva, in a previous work. I was delighted to learn that he, like me, finds clowns sexy and not scary. We went on to discuss the violence and sadism inherent in “fairy” tales such as on Pleasure Island in Pinocchio.

Clarke’s work is destined for, if not already considered part of, the contemporary queer male art canon. The insecurity of moving away from youth (in a culture that deifies it) rings with mischief, revenge and obsession, by evoking man’s darkest desires and curiosities. The comic awkwardness of hyper-masculinity is lampooned, as is the respect due to what seem to be small, inferior types. It is a triumph of mind over matter, via kinky cartoon characters, pools of semen, massive phalluses and hulky men.

Charlie Vazquez is a Brooklyn-based writer, part-time fetish clown and the assistant to Diamanda Galás--but really, he's nice.

Share the naked love

Mommy, Where Did Daddy Go? Cruising for a Jack Shack in Times Square [Gotham After Dark]

GOTHAMCITY.jpg

On Tuesdays, Charlie Vazquez writes Gotham After Dark, a peek into what goes on in Manhattan's queer nightlife, with club and event reports and profiles of fascinating New Yorkers.

I’ve been reading much about the Times Square of yore lately—the sailors, hustlers and hard women. I work on 8th Avenue and go to lunch around 1PM. While trying to figure out what to eat, I see other men—in the camouflage of whizzing crowds—trying to figure out where to get off. Eighth Avenue, from Chelsea to midtown, is home to dozens of DVD stores—where guys buy porn, lock doors to viewing booths and mess around with one another.

And although Times Square proper has been cleaned of smut, the survivors of that holocaust aren’t far away—they’re down the street, in fact.
Though others might mock our city’s cultural facelift, the sex industry is far from gone—it’s in fact proliferated freely and nearly invisibly via the internet. And there’s still a handful of good ole’ fashioned sleaze joints near Disneyland NYC, too.

Beginning at 42nd Street and 8th Avenue, I found the Show World Center which offers private booths and an all-male basement. At 43rd Street, Gotham City Ladies World and Lace offer everything from silicone lube to juicy lap dances. The DVD Depot at 45th was hopping (boys, boys, boys!) on a Sunday evening and the DVDs Palace at 46th has a sign reading “peeps inside.” Gotham City on 47th offers booths and live girls and the sidewalk outside Vishara near 48th was bustling with cruising guys—at 7PM.

As video/public scrutiny have become an invasive fact of life—especially in post-9/11 NYC—sex workers operate under the radar. And while the witch hunts against pornographic businesses are undeniable, the shift from public to private space and entertainment (theaters vs. DVD players) is also a factor to consider. Men used to go to dark parks, dirty movie theaters or dangerous red light districts to pick up whoever/whatever was available—risking arrest, mugging or worse. Not so much anymore. Women cruise and advertise sex on the internet too and I dare say that people are getting laid more now than ever. As for the classic smut joints where I learned the ropes—they’re still around, too.

Charlie Vazquez is a Brooklyn-based writer, part-time fetish clown and the assistant to Diamanda Galás--but really, he's nice.

Share the naked love

Radical Maneuvers: The Radical Homosexual Agenda

radical.jpg On Tuesdays, Charlie Vazquez writes Gotham After Dark, a peek into what goes on in Manhattan's queer nightlife, with club and event reports and profiles of fascinating New Yorkers.

The Radical Homosexual Agenda—I loved the name as soon as I heard it and loved them even more when they gave the corporate presence at the Pride parade a good, old-fashioned NYC “fuck you”. It seems lifetimes ago that queer activism took to the streets to create the sexual revolution that pushed to create radical female sexuality and transgendered visibility—as well as demanding homosexual “equality”. The short-lived Chicago-based Society for Human Rights and the 1950s LA-based Mattachine Society were springboards for more militant groups such as ACT-UP and Queer Nation, but what do radical queers have now?

It’s virtually unheard of for queer groups to protest anything anymore—but the Radical Homosexual Agenda (RHA) has plenty to groan about. And refreshingly, it’s in the spirit of its radical predecessors. For even the much-trampled Stonewall riots were an act of civil disobedience, right? A group of NYC-based activists, artists and students, the RHA challenges the corporate presence (and the acceptance of it) at NYC’s Pride parade and—according to their website—they believe that assimilating gays “would rather feed queer soldiers to Bush’s war than fight the military-industrial complex. They forget that, even more than marriage, the majority of queers also need affordable housing and health care.”

The RHA has also challenged NYC’s “anti-assembly” rules that threaten police intervention for any gathering of 50 or more persons—essentially making protests and political gatherings illegal. As larger “LGBTQI” rights groups roll toward assimilation, a smart, fresh crop of activism must take their place if we expect new changes to occur. The radical queer outlaws that have continually pushed the thresholds of art and culture (i.e. DaVinci, Genet and Burroughs) are forced—as expected—to “beat their own drums”. Change doesn’t occur via complacency, but by upheaval. And “tolerant” corporations with spotty political histories deserve to be singled out—because as queers—our dignity requires more than “tolerance” and “fair” legislation. Applause, applause.

Charlie Vazquez is a Brooklyn-based writer, part-time fetish clown and the assistant to Diamanda Galás--but really, he's nice.

Share the naked love

A Night of Color and Struggle: Celebrating Puerto Rican Queer Culture

paintedmodelweb1.jpg

On Tuesdays, Charlie Vazquez writes Gotham After Dark, a peek into what goes on in Manhattan's queer nightlife, with club and event reports and profiles of fascinating New Yorkers.

I was thrilled to hear that The Organization of Puerto Rican Artists, Inc. (O.P. Art) was convening last Thursday at The Clemente Soto-Vélez Cultural Center in The Lower East Side, to salute Puerto Rican culture’s many living gay, lesbian and queer photographers, artists and writers. The cavernous exhibition space was adorned with erotic and abstract paintings, prints, photographs, sculpture and audio-visual installations focused on the gay, lesbian and queer Puerto Rican struggle for identity and equality, whether in San Juan or San Francisco. O.P. Art’s president Luis Carle got loud applause for staging such a fascinating event.

Erotic photographer Peter Madero’s imaginative work caught my eye (that's his image above). His photographs spanned from the mythological to documentarian, exhibiting sadomasochistic and sometimes playful sexual themes and subjects—all of which were finished with a Hispanic varnish of fine photography. This difficult balance between what is commonly and erroneously downplayed as “pornography” and what is heralded as “fine art” was executed effortlessly by this extremely talented erotic art-photographer. Another noteworthy artist was Jose Luis Cortes, whose unabashed mixed-media salutations to smut and fetishistic desire were instantly arousing and brimming with taboo.

The evening also served as a publication party for Los otros cuerpos, an anthology of gay, lesbian and queer Puerto Rican literature—including its diasporas. Sexual identity, homophobia and erotic tension were the underscoring themes, with nine of the contributors reading their essays, poetry, short stories and novel fragments. Some, like the fierce and biting Robert Vázquez-Pacheco were dark-skinned and read in English. The mesmerizing academic Arnaldo Cruz-Malavé and the serpentine Frances Negrón-Muntaner were light-skinned and read in Spanish, exemplifying the diversity of both Puerto Rican culture and the combative, erotic art that has sprung out of its closet to challenge a long history of fevered homophobia.

Charlie Vazquez is a Brooklyn-based writer, part-time fetish clown and the assistant to Diamanda Galás--but really, he's nice.

Share the naked love

Queer Fetish: Sunday Night Revelry

QF1.jpg

On Tuesdays, Charlie Vazquez writes Gotham After Dark, a peek into what goes on in Manhattan's queer nightlife, with club and event reports and profiles of fascinating New Yorkers.

New East Village kink night Queer Fetish went off with a “bang” this past Sunday—especially for the six or so creatures that braved Reba McEntire’s poop pen (she autographed ass-cheeks), before being whacked raw on the pooper by Spittles the Clown. Staged at Nowhere in the East Village, Queer Fetish drew everything from the “lookie-loos” lurking in dark corners to collared and leashed punk rock slaves. One such particular fellow arrived with two spiky-haired girl-doms and broke the butt-slapping ice, inspiring jolly others to follow. Bondage à la punk.

Queer Fetish creator DJ Chaotiqueer spun a sexy mix of dance tracks, dirty rock-and-roll and circus music, in addition to adding sound effects for the evening’s performance. Hosts Spittles the Clown and Amber Martin kept the crowd laughing itself hoarse and gasping with fright: Spittles whacked behinds raw to the sound of many “whoas” and the hysterically-sensational Ms. Martin appeared as three of her many wacky characters—the Bible-reading, speaking-in-tongues Tammy Cross, the aforementioned Reba and Brenda Snell, a giggling Whitney-Houston-obsessed lounge singer with a shady history and snake tongue.

It was bold of us (okay, I’m the clown) to schedule this on the 39th anniversary of the Stonewall riots and Judy Garland’s death—as there were high-profile events on the same night. But as the new, naughty punk kids on the fetish block, we expect to grow as Pride season moves along. Future parties will be themed and will showcase more wacky cabaret, fetish demos and more butt-slapping clowns. A special “thank you” to the four boys in the corner who took it upon themselves to…

Queer Fetish happens every third Sunday—the next whack-a-thon falls on July 20th

Charlie Vazquez is a Brooklyn-based writer, part-time fetish clown and the assistant to Diamanda Galás--but really, he's nice.

Share the naked love